These works, which I draft through free association, rely on the structure inherent in my creativity, recording imagined relationships of conceptual form and conversations with myself. The conversations sustain these constructed places with emotion and memory. Similar to the way in which graffiti imbues public space with a semblance of its inhabitant’s history and/or identity, the language in my drawings becomes an inexorable part of the architecture’s presence, charting the struggle with understanding my own formal processes and intuitive organization.

- October 2007